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NastyFuckk EP

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Machinedrum Shows Us Part Of What's Coming | Listen Free Music

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Machinedrum Shows Us Part Of What's Coming

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Recommended Review

Ruff Sqwad

As Grime enters its teenage years it celebrates its achievements with the release of some of its most popular, and hard to get, productions: Ruff Sqwad's “White Label Classics”. To get an idea of the cultural and historical importance of the 20+ inst...

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Recommended News

Competitions

We give away two tickets for the Alpine Festival Snowbombing

The event will be held in Austria on April

Kasabian, Katy B, Disclosure, Scuba, David Rodigan or Carl Cox, among the line-up

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Audio&Video

Most read
Highlighted
Latest

d’Eon Delivers “Music For Keyboards Vol. III”

A symphony in two movements for a MIDI orchestra

Bat For Lashes Returns To Her Characteristic Epic Quality In “Marilyn”

Listen to a new advance from her coming album, “The Haunted Man”

Richard H. Kirk Moulds Factory Floor

Listen to his remix of “Two Different Ways”

Ryan Hemsworth Mixes For FACT

An hour of hip-hop and highly emotional R&B

First Extract From Zombie Nation's New Album For Turbo

Listen to “Sweepy”

Ólafur Arnalds & Nils Frahm

Live improvisation at Roter Salon

Fun Adults Offer Samples Of Their Suggestive Folk-Pop

Listen to "Acacia", the B-side of their coming single on Tough Love

Stones Throw Premieres Elegant Video For Geoff Barrow's Quakers

Guilty Simpson and MED are the star MCs of “Fitta Happier”

Stay+ Befriends NO CEREMONY///

Download the fruit of their collaboration, “Eyes”

Young Montana?

Bonsoir

Plaid

At Last

Ganglians

Bradley

Jazzanova's Alex Barck starts doing his own thing

Listen here to "Re-set"

First Extract From Zombie Nation's New Album For Turbo

Listen to “Sweepy”

Captain Murphy Delivers His Debut Mixtape

Listen to (and watch) “Duality” in its entirety

SOHN Cast Shadows Over Lana Del Rey

The duo has done the latest remix of “Ride”

Retro Net.Art With Hot Sugar And Heems

Check out the video for "56k", an ode to the modems of yesteryear

Features

Most read
Highlighted
Latest

Whatever Happened To “Bad”?

One of Michael Jackson's landmark albums, though always in the shadow of “Thriller”, turns 25. Time to assess its place in pop history

Lana Del Rey: “I'm Still Trying To Find An Explanation For All The Hate”

An intimate conversation with Elizabeth Grant about fame, hate, generosity and the life of a pop star who never dreamed she would be one

Crystal Castles: All About Their New Album Sleeve

The “(III)” artwork features the most recent World Press Photo winning picture. Its maker, Samuel Aranda, gives us the details on his collaboration with the Canadian duo

XXYYXX: “I'm Just A Brat With A Laptop And A MIDI Controller”

Getting up close and personal with Marcel Everett, the teen answer to James Blake and one of the most outstanding debutants of 2012

The Life And Death Of “Trap”, The Genre That Never Was

A chronicle of the most ephemeral, contested urban musical genre of the year

Sonar Tokyo: further excursions into the electronic underground

The Japanese edition of Sonar has showcased some up and coming live acts and talented DJs in search of the new thing

Exclusive Debut Of “Mandorle”, TERRITOIRE’s Excellent First Work

The new project on the Envelope Collective label, headed by Olivier Arson, offers ambient landscapes arranged in rock structures with a slow beat

Sonar Tokyo: further excursions into the electronic underground

The Japanese edition of Sonar has showcased some up and coming live acts and talented DJs in search of the new thing

Pay Jay in your own way

Dilla and hip hop revisionism

Review: Nick Cave And The Bad Seeds

“Push The Sky Away” Launch At Her Majesty’s Theatre

Skin deep: fashion vs lifestyle in the modern tattoo world

A visit to the London tattoo convention unravels the changing perceptions of tattoos in modern society and the differences between those that live ink and those merely in it for the fashion

Gonzales: “I don't think music is a right; I believe, in a way, that the free market does work when it comes to it”

The only Jewish rapper with a sick sense of humour in the world tells us all about the piano, working with Drake, being self-funded and why capitalism does belong to music

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