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Ben Westbeech Starts His Own Label | Last Music News

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Ben Westbeech Starts His Own Label

Naked Naked's first title will be by Westbeech's B...

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Fun Adults Offer Samples Of Their Suggestive Folk-Pop

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Duke Dumont and the “easy women”

Marching Church, Post-Punk From The Danish School

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SOHN Cast Shadows Over Lana Del Rey

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Features

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Whatever Happened To “Bad”?

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An intimate conversation with Elizabeth Grant about fame, hate, generosity and the life of a pop star who never dreamed she would be one

Crystal Castles: All About Their New Album Sleeve

The “(III)” artwork features the most recent World Press Photo winning picture. Its maker, Samuel Aranda, gives us the details on his collaboration with the Canadian duo

XXYYXX: “I'm Just A Brat With A Laptop And A MIDI Controller”

Getting up close and personal with Marcel Everett, the teen answer to James Blake and one of the most outstanding debutants of 2012

Fashion At San Miguel Primavera Sound, A Closer Look

Apart from the music, there are people. And the people who go to festivals have very individual ways of expressing themselves. We analyse the clothes people wear at the Fòrum.

Sonar Tokyo: further excursions into the electronic underground

The Japanese edition of Sonar has showcased some up and coming live acts and talented DJs in search of the new thing

Exclusive Debut Of “Mandorle”, TERRITOIRE’s Excellent First Work

The new project on the Envelope Collective label, headed by Olivier Arson, offers ambient landscapes arranged in rock structures with a slow beat

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Pay Jay in your own way

Dilla and hip hop revisionism

Review: Nick Cave And The Bad Seeds

“Push The Sky Away” Launch At Her Majesty’s Theatre

Skin deep: fashion vs lifestyle in the modern tattoo world

A visit to the London tattoo convention unravels the changing perceptions of tattoos in modern society and the differences between those that live ink and those merely in it for the fashion

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The only Jewish rapper with a sick sense of humour in the world tells us all about the piano, working with Drake, being self-funded and why capitalism does belong to music

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